All Things Philosophical on Star Trek

So I have seen the new Trek movie. With my flist abounding with spoilers and rave reviews, and me needing to de-friend that I’ve belonged to since I joined LJ, it seemed a good idea.

Plus, yesterday I managed to fiddle with my computer keyboard until I found the culprit causing the typing problem I was having, so I fixed that (for now), and could cancel my Genius Bar appointment allowing me to go to an early morning matinee.

So, to make a long story less long, I liked it. I am, of course, not without my issues. movie spoilers

The Destroyer, pt. deux

starryniteshade has been doing fascinating reviews/analyses of my fic, The Destroyer, that concentrates on how the fic reveals aspects of those characters we all know and love from AtS. He comes at them from his own unique perspective, which includes Native American psychological perspectives and similar ideas.

His latest analysis is of my season 1 ep, “The Life of Reilly“. I have my own commentary on the episode in the comments. Worth reading if you’re into AtS, Connor, Angel, Faith, etc., even if you don’t read the fic.

I have indexed the rest of his reviews here: http://www.livejournal.com/tools/memories.bml?user=masqthephlsphr&keyword=Starryniteshade%27s+TD+reviews&filter=all

So, Fringe

I haven’t been reading anyone’s posts on this series because I’m only now getting around to watching the eps that have been accumulating on Ye Ole DVR. But its predecessors–X-Files, BtVS, Angel, Alias–they all had, well I don’t want to say an “agenda”, but certainly an ideology of sorts, however complex and occasionally muddled it was. Distrustful/disdainful of big government, distrustful/disdainful of big business, distrustful of the rogue organization/individual, what have you.

So what about Fringe? Any theories about its ideological leanings yet?

Dr. Horrible

I’ve seen several folks on my flist talking about Joss’s bit of writers’ strike fun, Dr. Horrible, so I dutifully downloaded and watched it this morning. And I have to say it’s not extremely original, for Joss. While it does have an amusing deconstructive critique of the ideals of masculinity promoted in the comic book genre, that’s not entirely original, either. It is interesting to have the comic-book tropes presented from the villain’s point of view, but with this whimsical Troika-esque villain, it is not especially enlightening. So I’m expecting, since it’s Joss, for there to be a more serious, dark turn at some point for our intrepid main character.

Which mean, yes, I’ll continue to watch, for a while.