Continue reading “Original fiction project – week of 7/19/2009”
Category: aethersphere
Original fiction project – week of 6/07/2009
More work on the morning pages this week. Not as many words as previous weeks, due to unscheduled brain-deadness. You know, there’s still a part of me that wonders sometimes what it is I am doing every morning, since I’m not, strictly speaking, “writing fiction.” I’m outlining, tossing around ideas, accepting or rejecting them, developing characters, thinking about how things will work, but not doing much that actually counts as “writing fictional prose.”
I have been a bit consternated lately since the story I’m developing is still thin on details of actual scenes and is sort of all broad strokes and general plot points. And those broad strokes and general plot points just keep getting more complicated and convoluted. And it’s consternating because I am struggling at the same time to figure out how to cut half, if not more, of the words out of my old ’93 novel, Dis/Inhibition, and here I am busily developing another story that’s going to be just as long.
The only difference is, I’m catching this fact before even a single word is written, and so I can plan ahead of time to make this not one, but a series of novels, with a natural division point, unlike my old novel.
Last weekend I was sitting in a dark theater watching the new Star Trek movie for the second time, enjoying one of the most complicated, convoluted SFF stories of all time, which is of course, also not one story but dozens, if not hundreds of stories. Star Trek is a story world.
And it occurred to me that that is what I’m doing right now. I’m not “writing my story,” I’m world-building. And that’s as important a step as writing fictional prose or plotting the novel. A good “story world” is a world we will want to visit over and over until all its stories are told.
Original fiction project – week of 4/26/2009
Another week, another five morning pages, this time totalling 2,077 words. I am really glad I have developed this practice, but only a couple things are keeping it from turning into a rut of me tapping out prose that doesn’t excite me. One morning, I was writing something about the mythology of my spirit creatures when I just thought, “Ugh, I don’t like this.” So I rewrote the same paragraph four times, each time changing the details until I wrote something that actually interested me. That’s a useful technique to remember.
The other thing that occurred to me, since I am writing in character POV now (when I remember to–hey, it’s 5:30 am when I do this stuff), is to bring in the soap opera already. I have realized this since I started re-reading my old novel, Dis/inhibition. It’s got a lot of stuff about grad school and careers and life, but in the main, it’s about relationships. X loves Y but cheats with Z. A is at odds with their boss, B, and does conniving things to get the upper hand in the relationship. That sort of stuff. It doesn’t come as naturally to me now as it did ten or fifteen years ago, but it’s still what draws a person into a story, even if it’s about space aliens or spirit beings.
It’s also time again for me to go through what I’ve written up until now and pick out the parts I like the best and expand on them in what I write next.
And just keep at it, even when I feel like it’s in a rut.
