Once Upon A Time: On Henry

Emma-Henry

I got the first season of OUAT on DVD for Xmas and have been doing a rewatch. Simultaneously, I’ve been plotting the second draft of my novel using the hero’s journey as a rough template, so I had the concept of the Guide archetype in my head while watching.

Assuming Emma Swan is the Hero of OUAT, the first Guide she encounters, at least in season one, is her son, Henry. He has the “Once Upon A Time” book, and he is constantly interpreting events and people for Emma (also, for Mary-Margaret/Snow White, and Graham/the Huntsman) in terms of the book so that she can see herself in the larger picture of what she is supposed to accomplish as the “savior.”

Spoilers through the end of season 1, with some unspoiled speculation

That reading thing

Lately, I have been pondering ways to do more pleasure reading. As a kid, I always had a book on hand. I devoured them by the gross. In the years since grad school, however, I have found myself reading a lot less, and I know that is effecting my writing.

Okay, stop: just the fact that I am thinking about this in terms of how it “effects my writing” tells me I am not really framing this as “reading for pleasure,” and that’s one problem right there. Reading has become a means to an end, an obligation or chore, and that’s not a great start.

Anyway, there is plenty of advice out there about how to “find more time” for reading (much less, however, on how to make it a pleasure again). The most relevant suggestions:

Computers are my problem

In defense of fan fiction

Earlier this week, I sent my website designer the content for my new author website. It contained a lot of things about me: my published novel, my current writing projects, my past projects. One of the things it contained was a blurb about and link to my fan fiction story, The Destroyer. I figured, why not, I worked hard on that story and readers liked it. It is an example of my SFF writing and series writing skills.

I think I forgot how few people out in the webosphere really understand what fan fiction is and why it can be a legitimate art form–an engagement with and reinterpretation of an existing text that can entertain us by continuing its story (or expanding the existing story), or shed critical light on aspects of that story the author might not have realized were in it.

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Dis/inhibition paperback gets Ingram distribution

I found these this morning while Googling:

http://www.adlibris.com/se/product.aspx?isbn=1105603709
http://www.libri.de/shop/action/productDetails/19400201/nancy_e_shaffer_dis_inhibition_1105603709.html

There is still an issue with getting the book cover on some of U.S. sites, but I am told that’s being worked on.

“Inhibition is nature’s way of keeping you from doing something really stupid…”

Valerie Running Deer is a brash, brilliant neuroscience graduate student. Elizabeth Baldwin is her uptight, control-freak advisor. Elizabeth and Valerie’s relationship has always been a battle of wills, but when Elizabeth hands over one of Valerie’s original research ideas to another student, Valerie fires the shot that turns their cold war into a hot one: she makes a pass at Elizabeth’s daughter Lisa, a coy, impetuous teen who has been harboring a crush on her.

Valerie’s spiteful impulse is diffused when she starts to fall for Lisa behind Elizabeth’s back, but a confrontation is inevitable. Valerie’s tumultuous journey towards it will entangle her in the circuitous dance of the relationships around her as friends, colleagues, and family struggle to balance need and trust, impulse and restraint. Control freaks. Hot heads.

Timid artists. Impulsive kids. Dis/inhibition explores the complications of self-control both outside and inside the scientific laboratory.

Buy the book

| Amazon | Barnes & Noble | IndieBound | Books-a-Million |

Buy the eBook

| Amazon | Barnes & Noble | IndieBound | Apple iBookstore | Smashwords | Kobo |

The book is also available at Amazon UK and Amazon Canada.

Adventures in Indie Publishing, pt IIa: formatting for print

I think the most difficult, grief-inducing part of self-publishing is formatting. I say that because I am still getting into the marketing part, but stay tuned, because I might change my tune later. But I spent a good two months getting my manuscript into a form–no, I take that back–THREE forms–that would deem it acceptable to book distributors.

The three forms are (1) print, (2) eBook ePub, and (3) ePub mobi. Print is pretty self-explanatory, although not easy, necessarily. ePub is the most common eBook format and you can find services that will turn your manuscript into an ePub file, but you have to do some work upfront to not have aforementioned manuscript kicked back to you as “not ready to be turned into an ePub yet.” mobi is just a fancy word for the format used by Amazon Kindle, which in their infinite near-monopoly wisdom is different from every.other.eBook.seller.everywhere, who of course all use ePub.

Print Formatting

Adventures in Indie* Publishing

Most folks in the writing/publishing bag probably use the term “Indie publishing” to mean small, independent presses that are, for all their smallness, still publishers in the traditional sense: they accept submissions, chose what works they will put out into the world, and then produce and promote them for the author, either in print or electronic form or both.

But I am seeing the phrase thrown around a lot now to signify those who are really self-publishers, authors who do all the work themselves, or at least arrange for and pay for it to be done: writing, formatting, distributing, and marketing.

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