New words: 2,762
Total words: 19,524
I finally made it through the entire draft doing the dialog. Of course, I haven’t written all the dialogue. If I wasn’t sure of something, I skipped it. Now I plan to go back through and figure out the parts I like best, and make sure those get supported and expanded before I really dig into adding action and blocking bits.
I am starting to have an image of the ending of the story, one that is both interesting and wraps up the immediate conflict, but leaves enough hanging for there to be plenty of material for the next novel.
I have also been experimenting a bit with writing from an omniscient point of view. Something that would allow me to get in the heads of characters as I choose, or not. It’s REALLY hard.
I’ve always preferred Alternating Third Person Subjective, with a clear delineation in the text (marked by a paragraph change and a symbol, like a centered – or ***) when the point of view changes. Point of view has always been a conscious element of my stories, in which I could show different characters reflecting on the same thing and explore their totally different perspectives on that thing . It is one of the more Artistic elements in my writing.
And my third person has always been as close to first person as you can get without actually writing in the first person. The “voice” in the narrative is the point of view character’s, I write the way they talk when I’m in their head.
Changing that style to a more omniscient POV is going to be a challenge, especially if I want to keep the intimacy of third person subjective.
There is a form of the omniscient view point that is kind of like a screenplay, where you never get into any character’s head. Everything is the “camera-eye” view, but you have the freedom to go anywhere, show any character doing anything.
While I found writing in screenplay format rather freeing while working on the Destroyer, doing it in a regular narrative format lacks intimacy. I think readers want to be with the character, living the story through them, not just observers, and for that, a story needs introspection.
Another form of omniscient viewpoint switches between character’s heads within a single scene, sometimes within a single paragraph. There are so many ways to screw that up and confuse the reader. But I think that’s what I need to figure out how to do.