More NaNowhinging

T-minus ten days and counting until Nov. 1st (which reminds me–buy birthday card for Mom!) I don’t think I’ve ever spent this amount of time outlining something before I just gave up and started writing it in my life. Well, maybe back in my teen years when I had this urge to write and nothing to say. Back then, all I did was outline until I got bored with whatever my story idea was (because there was no passion behind it) and tucked the half-finished outline in a bottom drawer.

Actually, like scrollgirl, I am writing a little bit of text of my NaNo “novel.” OK, probably a lot of text, but I’m not counting words, and it’s mostly scribblings of dialogue. Dialogue is always what I write in the “first pass” through the text of my new episodes. It serves as a kind of “skeleton” of a scripted scene and therefore is “practically part of the outline anyway.”

What I’ve figured out so far as a result of this outlining:

NaNo notes

Ways in which word counts are a pain in the ass

I just thought I’d get all my NaNo bitching done *before* NaNo starts, heh.

Question 1: How do you do a word count if the text of your story is scattered around in a million little files on your hard drive, *and* intermixed with your outline in any particular file, which doesn’t itself contribute to the actual word count? I mean, I guess you could just count the outline as well, but if you then erase or move the outline, your word count goes down because it was artificially inflated in the first place.

Question 2: How do you do a word count if you’re like me, and you have five versions of the same sentence all in a row because you haven’t decided which version you like best yet?

Do I really have such a different writing process than the rest of the human race, or is any of this making sense?

Dis/inhibition

Oh my God, I’m gonna cry. I’ve posted in here a bit about a novel I was writing for ages and ages up until about two years ago, one that I set aside because I basically outgrew it. It had gone through five drafts. The fourth draft took two years and was done with a writing coach. When we were through, she sent her hard copies of it to me, complete with her notes. I then did a fifth draft on my own for about a year before the setting-aside occured.

I backed the whole thing up on a zip disk and removed it from my hard drive. Last December, I went back to look something up in the manuscript only to discover the zip disk was corrupted, and I had lost not only the fifth draft but the fourth. Just gone.

I was devastated. All I had was the fourth draft in a hard copy.

Well, short story long, I just found a backup of the fifth draft that I had buried on my hard drive at work!

This doesn’t mean I’m going to start working on it again, but to have not lost it, to still have it, that means everything to me. It’s my baby. I was its mother, I was its lover, for ten years. It taught me how to write.

Argh!

What *is* it with all those “How-to” books on writing Fantasy assuming that you want to create an all-encompassing Medieval world? Isn’t “Buffy” fantasy? Isn’t “Harry Potter” fantasy? Both of those happen in the contemporary, “real” world? Where are the books that help you structure a fantasy story that takes place in the here and now? That gives you info on magic, the occult, mythological creatures, etc.?

NaNoWriMo

A few of my writer friends are doing NaNoWriMo this year. Which I have to admit, I’ve never really been tempted by. Write a 50,000 word novel in one month. I know that if I decided to start a novel, that within one month, I might *reasonably* come up with a premise, and maybe even write 50,000 words. But those words would be be scattered scenes, most of them experimental in nature, and scattered, isolated lines (probably of dialogue), plus some background notes as I brainstorm on characters and plot ideas.

But a complete rough draft of a novel?

My initial writing of a story is always open-ended, and subject to later (possibly enormous) revision–what’s the use of keeping a little ticky-counter that rises as you approach 50,000 words if half of them end up in the round file later? Consigning words to the round file (or the back files of your hard drive–I never throw anything away) is part of the writing process. Success can’t be counted–for me, personally– by the number of words I have (unless I can’t get past one page, in which case, why would I attempt NaNo in the first place).

Anyone who can belt out 50,000 words of a rough draft in one month will probably spend the next year completely changing everything they wrote in that month. Which I suppose gives structure to the novel-writing task. But isn’t the same thing as actually “writing a novel” in a month. It’s the flower bud of a novel.

eta: above post edited to make clear my NaNo comments only apply to me, not anyone else, and certainly were not meant to belittle participants. Different things work for different people.

Urgh.

It’s that time again. That time when my latest ep of TD is gearing up, and I have something to complain about. This time, it’s blocking. You know, who stands where and what any character is doing at any given moment. AKA action. I’m having the worst time writing the action in TD 19, and I know why. It’s all talking heads. Everyone’s yapping at each other, imparting IMPORTANT INFORMATION, and mostly sitting around while they do it. On TV, you get a two-shot going, or maybe you switch off the over-the-shoulder shots of each speaker in turn, and the visuals become less important than what’s being said.

Which is fine, if it’s only one scene, but I have scene after scene of yammering.

So I try to break it up by having the characters DO something while they yammer, but there’s only so much coffee they can drink.

Oy, I’ve been here before, when the neat little tricks that spice up a scene just won’t come to my brain.

Urk

Why do I write so much? Why do I write so much that I can never finish something in a decent amount of time? I need one of those little word count icons the writers on my flist have so you guys can cheer me on when the word count Goes Down!

*sobs*

Doing a novel synopsis…

I have no problem telling people I’m writing a novel. It makes me sound Interesting at parties. “You’re writing a novel?” But inevitably, people ask me, “What is it about”? They want a 30-second synopsis. Or is it 30 words? Anyway, that’s when I get tongue-tied. I suck at giving synopses, and usually just say lame stuff like, “I don’t know,” or “It’s complicated”, or… I change the subject.

It’s not like I’m embarassed about my novel or anything. It’s just it’s… it’s a character-driven novel with a bit of a complicated plot, and how do you summarize such a thing? Plot-driven novels usually have a concept, or a premise. Something that started the whole writing process in the first place, something the writer is shooting for that lets him/her know when it’s complete.

My novel