It’s taken ten years to get there, but early Wednesday, November 12 Central European time (from about 1 AM to 8 AM, which is about 5 PM to midnight Pacific time), the European Space Agency will land a craft on a comet. Their Rosetta spacecraft got to comet 67P/Churyumov–Gerasimenko three months ago, and has been in a weird jagged “orbit” around it ever since. Now its attached lander, Philae, is being prepped to detach from it.
All the pre-flight stuff is going to happen when I’m busy at a conference next week, and the actual flight and grand finale landing, if it is successful, will happen in the middle of the night. Good luck to the ESA. #cometlanding
Two videos related to this. The first is more cutesy space stuff, but it’s also part of a rather brilliantly accessible series of cartoons promoting and explaining their mission.
The other video is a short art film the ESA collaborated on that I believe is a promo for a longer, upcoming science fantasy film, “Ambition” about the life-creating chemicals and water of comets:
With apologies to the actual Bechdel Test, which is about gender in TV, film, and other fictional media.
I am reading Fluency by Jennifer Foehner Wells, which got 4.3 out of 5 stars on Amazon with 1,115 raters. Honestly, I am not sure how it got that rating. The story was pretty good up to the point where Aliens, aliens, always aliens
Just got done reading the first book of James SA Corey’s Expanse series, Leviathan Awakes. In a nutshell, it’s a space opera set in a future where humans have settled the solar system, but are not yet able to reach other solar systems.
Continue reading “I’ve got an itch to scratch”
“Every few years there appears a movement to improve or modernize or even “futurize” the writing of science fiction. The classic example was the New Wave, which had an effect on the style of SF literature and has been comfortably tamed and digested. Now there is something called “cyberpunk, ” of which we have yet to learn a clear definition. It has something to do with computers and their programming and possibly— considering the derogatory term “punk “—with snubbing accepted traditions. This short story is said to be an example of “cyberpunk.” It is certainly different from anything H.G. Wells, Jules Verne, or Hugo Gernsback would have dreamed up.” – preface to Pretty Boy Crossover
Continue reading “Cyberpunk”
Depending on who you ask, the “Golden Age of Science Fiction,” is either “undisputedly,” or just “widely recognized” as the 1940’s (and possibly 50’s). Of course, one person’s Golden Age is another person’s capital-E Establishment, but historically, the 40’s and 50’s are the era when a younger generation of very talented writers weaned on the pulps and unafraid of speculative-fiction-that-incorporated-science took up pen or typewriter. Among them: Arthur C. Clarke, Ray Bradbury, Tom Godwin, and Isaac Asimov.
It is interesting that of the three biggies I review here (Clarke, Bradbury, and Asimov), Asimov was always my favorite, but (perhaps due to story choices?) this time around, I was much more impressed with Bradbury.
All of these writers are masters of creating fully-realized portraits of everyday life in the future, or on space stations, or the Moon, in very few words. Continue reading “The golden age of Science Fiction”
Yeah. So. I might have been a little hasty in my prediction that all 30’s pulp sci fi would be melodramatic. Too much (over)exposure to Captain Proton. That said, the sci-fi of the 1930’s still seems to have an earnest straight-forwardness to it. That is, with the exception of minor details, it does not read as particularly revolutionary to the contemporary eye. But you know, neither does a Mondrian abstract painting.
Looked at from a purely 21st century perspective, your gut reaction to such paintings (or such short stories) is “So what? Lots of stuff looks like that.” Yes. These days. But then you glance at the year the painting or the story came out and contrast it with what passed as popular design or entertainment in its day, and the work is friggin’ revolutionary. Indeed, any one of these stories can be classed as a primordial example of what is now a common sci-fi trope. If H. G. Wells is the grandfather of modern science fiction, these writers are his sons:
Continue reading “Pulp (Science) Fiction”
In the past couple weeks, I have been reading science fiction short stories. In typical fashion, I have this need to be systematic and thorough, so I am choosing my stories in a chronological fashion. Obviously, I am not reading all of them, just a smattering, but here is the reading list so far:
Poe, Edgar Allen. “The Unparalleled Adventure of One Hans Pfaall”, 1835
Hawthorne, Nathaniel. “Rappaccini’s Daughter”, 1844
Wells, H.G. “The Star”, 1897
Hamilton, Edmond. “The Man Who Evolved”, 1931
Robert Heinlein. “–All You Zombies–” 1959
My descriptions/reviews below are somewhat spoilery in terms of premise and tone, although I don’t out and out describe how the stories end.
The first two stories have been dubbed ‘proto science fiction’ in that they were written well before there was any such genre as science fiction, and were labeled in hindsight as “science fiction-like.” H. G. Wells is the first of this batch to be truly a “science fiction” writer, although he would not have used that term, since it was not invented until the mid-twentieth century.
Continue reading “The short story of science fiction”